Тридцать восемь проектов, упакованных заново

A driver in Germany with a dead engine control unit has exactly one question: can you fix mine? Every screen on Revonik exists to answer it.

Revonik remanufactures automotive electronics. Control units, immobilisers, instrument clusters. The difficulty was never the visual design. It is that a part belongs to one exact car, so the catalogue had to follow the path the customer already thinks in: brand, then model, then year of production, then the unit itself. That comes out at more than four thousand pages, in five languages, with a search that reads product names, descriptions and types, because plenty of people arrive typing "Motorsteuergerät" and nothing else.

Behind the page there is a second half of the project. Every form opens a deal and a contact in Bitrix24. The order confirmation produces a PDF the customer prints and puts in the parcel. Shipping is being wired into UPS, telephony into their phone system. We also ran the technical clean-up after an SEO audit: language versions opened to crawlers, redirect chains repaired, dead pages removed.

Eight months in and still running. When the server went down under a flood of automated requests in June, we were the ones bringing it back up. The next stage is a full online shop.

WordPress. revonik.de

Selling design to a company that manufactures design is the hardest room in the business. Their eye is trained. Yours has to be better.

POLYTECH prints. Apparel for branding, promotional merchandise, commercial printing, outdoor advertising. We started with the brand itself: the mark, the palette, the typography, and a system that survives being reproduced at every size on every surface, from a pen to a building wrap.

It did not stop there, which is the part I value most. Over a year later we are the design bench behind their store of more than five thousand pages: category artwork, banner sets, animated key visuals, and the visual grouping inside a menu that has to hold four unrelated product worlds without losing anyone.

A printing house could hire any studio in the country. They kept working with the same people.

Branding, identity, ongoing design. polytech.com.ua

The client opened the first call with three reference sites: Avellum, AEQUO and VB Partners. That is the top shelf of the Ukrainian legal market, and it set the standard before anybody drew anything.

Miller Law Firm needed the site of a firm in that weight class. Practice areas, the people behind them, media appearances, careers, and over a thousand pages of legal writing that has to stay findable and calm to read at length.

Two things shaped how the project ran. The firm's PR department reviewed every screen, so nothing shipped on taste alone, and their security policy moved the entire working group off Telegram and onto Signal on the first day. A client that careful about a chat is that careful about everything, and the design had to earn the same level of trust.

Nobody hires a law firm because of its website. But plenty of people quietly decide not to, and that decision is made in the first four seconds, on typography and restraint.

Design and development. millerlawfirm.ua

Nobody wakes up wanting to buy hydrangeas. They wake up remembering a birthday, an apology, or a funeral.

So the shop is built around the reason, not the plant. Occasions sit at the top of the catalogue: birthdays, weddings, engagements, a colleague, mum, sympathy. Roses, peonies and seasonal cuts are there underneath for people who already know what they came for.

Rozmarin is a working florist in Wroclaw with a real shop and real photography, and the site had to look as composed as the bouquets do. Three languages, because this city buys flowers in Polish, Ukrainian and English. A full cart with promotions and price filters. Transactional email configured properly, so a confirmation actually lands in the inbox instead of a spam folder.

Then we handed it over: training recorded, catalogue explained, and the shop has been adding its own products since.

WordPress and e-commerce. rozmarin.shop

Three hundred and thirty houses across fourteen estates, built since 2015. All of it had to fit into something a buyer can walk through in ten minutes.

Nowa Bud builds year-round timber frame homes around Warsaw and across Mazovia. The brief was refreshingly blunt: follow the brandbook, skip the decorative animation, and make a very large amount of information easy to move through.

So the site behaves like a well-run sales office. Estates, individual houses, available plots, the construction technology explained for people who have never heard of timber frame, a separate track for investors, and 3D plans of every settlement. Four languages, because buyers in this belt around Warsaw are not only Polish.

My favourite piece is invisible. The price history block reads straight from the client's own spreadsheet, so when the sales team edits a column, the website updates itself. Eleven months of work, and it has been theirs to run ever since.

Webflow. nowa-bud.pl

Six weeks from the first message to a live bilingual catalogue, with a client who checks your URL structure personally.

MetalVent manufactures industrial ventilation: axial fans, roof units, ducting. Products chosen off a specification sheet by people who will notice if a category is named wrong.

The most useful moment in the project was an argument. The client wanted more categories; we pushed back, because four product groups fit cleanly into one block and a buyer should not have to hunt through a menu to find what the company actually makes. He tested it against his own customers, agreed, and the simpler structure shipped.

Built in Polish and Ukrainian, with a catalogue the company edits itself. We recorded the training and handed over the keys. They have been running it alone since December 2024.

Webflow. metalvent.pl

Every AI company launched this year looks the same: a gradient, an abstract neural mesh, the identical shade of blue. The brief was to look like none of them.

SOKIL AI turns messy operations into working systems. Their founder has twenty years in IT behind him, and the brand had to read as adult, not as another launch. We built the identity first, in a logobook: a mark that still holds at avatar size, a restrained palette, typography that behaves inside a product interface instead of only on a title slide.

The site followed. Strategy, AI agents, custom development, roughly forty pages, cookie consent handled properly, and a CMS their own team took over before launch so they were never dependent on us for a text change.

There is a detail here that matters more than any of the above. A year later their founder started sending clients our way, and one of those became the RE.BRO project. Work done properly turns into a referral channel, and that is worth more than any campaign.

Identity and Webflow. sokil.ai

In Canadian construction the buyer is usually a committee, and your website has to survive being forwarded around it.

UCO Construction Group works on industrial and infrastructure builds. That audience reads capability before it reads photography: what you can do, at what scale, with what equipment, and who signed off on the last job that looked like theirs. The structure follows exactly that order, and the gallery earns its place at the end instead of opening the argument.

Where the time actually went was engineering. Every repeated modal on the site was rebuilt as a single reusable component, so the company changes one and changes all of them. It sounds like housekeeping. It is the difference between a site that ages well for years and one that quietly rots the first time somebody else touches it.

Thirteen months, plus a run of social content afterwards.

Webflow. ucogroup.ca

People do not pay a training school for information. They pay for the confidence to work on a real client's face the week after the course ends.

TK Cosmetology teaches aesthetic medicine in Wroclaw to two audiences who share nothing. Beginners with no background at all, and qualified cosmetologists and doctors arriving for injectables and advanced technique.

Separating those two paths was the whole design problem. A beginner worried about the price and a professional scanning for one specific protocol cannot land on the same page and both feel spoken to. So the site splits them within the first screen, then does the only thing a school genuinely can: puts the instructors and their credentials up front, and hands the rest to video reviews from graduates who are now working.

Registration goes straight to Telegram and WhatsApp, because that is where this audience actually replies. Around thirty pages, plus a library of recorded lectures.

Webflow. tkcosmetology.com

Their entire promise is bookkeeping explained in plain human language. So the site was not allowed to sound like a tax code.

Best Support is an accounting office in Poland: full bookkeeping, payroll, HR paperwork, and company registration for people who have recently arrived and do not yet know which form is which. Around two dozen pages, written and built in Polish, calm and direct, with no jargon used as decoration.

Then something happened that is nowhere in a web studio's job description. Their company email stopped receiving. Ten people could not work, invoices were bouncing, and clients were phoning to say their messages were being rejected. We took the registrar, the DNS records and the hosting panel, worked through it with their provider, and had mail flowing again the same day.

That was not design work. It is what hiring an agency is supposed to mean.

Webflow. bestsupport.pl

How do you sell a sensation that nobody in your market has felt yet?

Spartisan is a guided immersive spa. A ninety minute steam ritual for groups of up to six, with heat, cooling phases, light and sound choreographed into one continuous journey. It is closer to a performance than to a sauna, it works completely in person, and almost none of it survives being written as a bullet list.

So the site had to do the job that a friend's recommendation usually does. The first screen carries the atmosphere and asks for nothing. Only after that come the programmes, the ritual explained step by step, and the booking. English, Hungarian and Russian, because Budapest sells to three audiences at once.

We rebuilt the visual selection twice using the client's own photographs of the venue, and it was worth the delay. Stock imagery of a spa reads as a stock spa, and this concept dies the moment it looks generic.

Webflow. spartisan.eu

Same brand, opposite reader. This one is for the person deciding whether to put money into it.

The consumer site sells the experience. This one answers a colder set of questions: what a venue costs to open, what it returns, how long the payback runs, what the franchise package actually includes, and who is operating one already.

Investment material carries an awkward requirement. It has to look expensive enough to be credible and plain enough to be trusted, and those two pull in opposite directions. We kept the brand's atmosphere in the photography and made everything numerical as flat and readable as a term sheet.

Built alongside the consumer site and published in August 2026.

globalspartisan.com

Six themed rooms, seventy five thousand songs in twenty three languages, open until four in the morning. Budapest karaoke, sold to people who are already planning tonight.

BB Rooms rents private karaoke rooms in the middle of the city, for anything from a group of five to a party of fifty. Space, Iceberg, Gatsby, Reggae, Cabaret, Comics. Each room is its own world, and choosing between them is most of the decision, so each one gets a full page with capacity, sound setup, price and photography, plus a 3D tour for the people who want to walk it before they commit.

Around that sit the things that actually close a booking: event packages for birthdays and stag nights, catering and decoration extras, and a booking button never more than one screen away. Prices are stated openly, because a group of eight deciding on Thursday will not send an email to find out.

English and Hungarian, since half the guests are tourists who discovered the place an hour ago.

Webflow. bbrooms.hu

Roasting coffee in Budapest since 2013, and now the same room hosts a DJ at brunch. One website had to hold both without splitting in two.

Blue Bird is a specialty roastery that turned into a community. Beans roasted on site, roasting workshops where you stand at the drum and taste the result, brunch sessions with a DJ, and an open stage for anyone who wants the slot.

The structural problem is that there are three completely different things to book here: a table, a roasting session, and a DJ slot. Most hospitality sites would bury two of them. We gave each one its own visible path from the first screen, because the person coming to learn about coffee and the person coming to play a set are not the same visitor and should never have to read each other's page.

The atmosphere carries the design, the practical details stay one tap away, and the whole thing is built for a phone held in one hand while somebody decides where to spend their afternoon. English and Hungarian.

Webflow. bluebird-djcafe.com

This project arrived as a referral from a client we had finished six months earlier. That sentence is our entire growth model.

RE.BRO is a grill and bar in Wroclaw with a second face as a bistro, two moods under one roof, and the site had to let a visitor pick which one they came for within a few seconds. Two months from the first call to launch on the seventh of August.

Restaurant websites live or die on a phone at eight in the evening, so that is where this one was tuned. Menu, atmosphere and a table, all inside thumb reach. We caught one bug in testing that I keep thinking about: on an iPhone, Safari's address bar was sitting exactly on top of the link to the menu. Nobody would ever have reported that. They would simply have left and eaten somewhere else.

Google reviews with named authors, photography that opens instead of fading, and a recorded walkthrough so the team edits its own content now.

Webflow. rebro.com.pl

One page. Which is not the same thing as a small project.

ASKI Studio designs interiors and delivers the fit-out. Their proof is entirely photographic, so the layout has one job: get out of the way of the work, and stay out of it. Large images, generous space, almost no text competing with them.

The considered part is not visible on the page. Enquiries go to email and into a Telegram bot we built for them, so a lead lands on somebody's phone within seconds instead of in an inbox nobody opens on Saturday. The client also asked for WhatsApp, and we talked him out of it: their customer is Polish, WhatsApp Business charges per conversation, and it would have fought with the Telegram flow for no benefit. We set up the domain and hosting from scratch as well.

Launched in April 2026 with a training video, and the studio has run it alone ever since.

Webflow. askistudio.pl

Cakes are chosen with the eyes and then argued about with the family. A confectionery website has to win both moments.

WOW Tort makes cakes and desserts to order in Ukraine. The catalogue is the product, and the owner wanted to run it herself without calling anyone.

So it is built on a CMS she controls completely. Author cakes, world classics, gingerbread, pastries, each in its own category, each with a current price and a separate sale price for when a promotion runs. When she asked to change the order of categories, and then to add a new one, that was a message rather than a quote.

The order form asks only for what a baker genuinely needs: flavour, weight, date, contact. Everything else was cut, because every additional field in a form is a person who stops filling it in.

Ten months of work and support, and the catalogue has grown on its own since.

Webflow with CMS. wowtort.com

The product tests whether a business idea has any real demand before the founder burns a year building it. Which means the website gets judged by exactly that standard.

Hypotest works like this: you describe your idea to an AI, it generates the creatives, the copy and the landing pages, launches micro campaigns at real audiences across platforms, and comes back within a week with actual demand data instead of opinions from friends.

The hard part of a page like this is that it sells a habit nobody has yet. There is no search volume for it. So the structure explains before it persuades: four steps in plain order, then the four audiences who each recognise a different version of the same fear, then the reasons to believe.

Short, fast, and deliberately built to be pushed with paid traffic, which for a product like this is the only honest measure of whether the page works.

Webflow. hypotest.com

Seventy two hours from brief to a live site in three languages, because the client was walking into international negotiations that week.

AIDrones UA manufactures robotic systems and unmanned solutions. In defence and hi-tech the website is the first trust filter: it has to prove there is real engineering behind the brand and not a slide deck someone assembled last night.

So the structure follows the way a serious buyer reads: what the systems do, where they are used, what they are built from, and then a short path to a named person. The tone is deliberately quiet, because nothing in this category is sold with adjectives.

Three languages from the first day, since the people who matter here are partners, investors and procurement outside Ukraine.

Design, development and copy. aidrones.com.ua

We pointed it at our own website first, because you should not sell an automation you have never had to live with.

The engine researches, writes, checks and publishes on its own. Four languages, twice a week, with nobody on the team opening a draft.

The interesting part turned out not to be the writing. A pipeline that publishes everything it generates will confidently put nonsense out under your own brand, so most of the engineering went into the layer that rejects a piece and not into the layer that produces one.

And then the result, which is exactly why I keep this case here. After five weeks the site had close to three hundred pages indexed and almost no traffic. The writing was never the bottleneck. Nobody links to a young domain, and without that a search engine has no reason to trust it.

That is now the first thing we tell a client who wants to buy content.

Our own product. headpills.com

Italian furniture sells at a price where the website is part of the product. If the site looks cheap, the sofa looks cheap.

Bellissimo Home selects and manufactures premium Italian furniture and runs a showroom in Wroclaw. We built the brand and the site together: logo, palette, typography, and a brandbook so the whole thing survives being handled by other people later.

The catalogue has to hold an entire house. Living room, bedroom, dining, kitchens, bathroom, hallway, lighting, garden, children's rooms, accessories, each with its own manufacturers and its own way of being chosen. Alongside it there is a separate entrance for architects, who buy in a completely different way from private clients and need catalogues and specifications, not inspiration.

Eight months, in Polish, for a customer who has usually already seen the same brands in Milan.

Branding and Webflow. homebellissimo.com

A brand agency that makes other companies loud, and had stayed invisible itself. That was the brief in one line.

Bruit means both noise and hearing. We put that double meaning into the logic of the mark: restrained on the surface, with something underneath. This is a brand that does not shout, it creates impact.

Brothers is not about surnames. It is about how they work, passing down experience and staying consistent, the things that hold a family business together. So the site does not present an agency, it presents a team standing together.

One page, and that is the point. Almost everything here is motion: how blocks arrive, how the type behaves, the rhythm of the scroll. On a single screen there is nowhere to hide behind volume, so every transition has to earn its place.

Eleven months from the first sketch to launch.

Branding and Webflow. bruitbrothers.com

Smoke, fire and a knife. A meat brand has to look appetising and trustworthy in the same second, and those are not the same job.

Dallie Smokehouse makes smoked delicacies. We did both halves. The identity first: a mark with a craft character that still reads on a label at thumbnail size, a palette that suggests smoke instead of a restaurant menu, and rules so the brand holds together on packaging, in a shop and in a feed.

Then the store, which serves two audiences at once. Somebody buying a gift box, and a restaurant asking about wholesale terms. Both land on the same site and neither should have to wade through the other's section to get anywhere.

The production story is the strongest argument this category has, so it sits early: how it is smoked, what goes into it, and why it costs what it costs.

Identity and store. dallie-smokehouse.com

You are choosing a surgeon in a country you have never visited. Every decision on this site exists to make that feel safe.

Esthemind organises medical tourism: plastic surgery, dentistry and hair transplants across Europe, Turkey and South Korea. They work with around fifty partner clinics in fifteen countries, and they will arrange an appointment at a clinic outside that list if a patient asks for it.

The brief was unusually precise. It had to look expensive, and it had to make immediately clear what is on offer and at what level of clinic. In this category cheap design is not a taste problem. It reads as a medical safety signal.

So the site leads with the network and the standard, explains the procedure, and only then covers the things that genuinely worry people: travel, translation, recovery, and who meets you at the airport.

Nine months. Design and development. esthemind.cz

A tourist decides what to do tomorrow while standing in a hotel lobby on bad wifi. That is the entire design brief.

Excursions Tenerife sells everything you can do on the island: boat and yacht trips, water sports, quads and buggies, Siam Park and Loro Parque, El Teide and sightseeing, tastings, evening shows, car hire, even mobility scooters and private charters.

Eleven categories is a lot to carry without becoming a phone book. So the catalogue is arranged the way a holiday is actually planned, by the kind of day someone wants, not by the supplier who happens to provide it. Price and duration are visible before the click, because nobody opens twelve tabs on holiday.

Built in English for an audience arriving from a dozen countries, and tuned for a phone held in the sun.

Webflow. excursionstenerife.es

For filmmakers by filmmakers. Six words the client had already earned, and the whole page had to live up to them.

Filmcore is a production platform, and when we built this it had no public product yet. A page in that position has exactly one job: get the right people to request beta access, and let the wrong ones leave without feeling misled.

So it is short. What it is, who it is for, what changes in your week if you use it, and a form. No pricing table for a product that has no price yet, no invented testimonials, no roadmap promises that will age badly in public.

Three months. The honest measure of this work is not how the page looks. It is whether the beta list filled up with actual production companies, and it did.

Webflow. filmcore.app

A sportswear brand starting from nothing. No mark, no palette, no idea how it should sound in four languages.

We built the identity first and the site around it. The mark had to work stitched into a collar, printed across a jersey, and shown as a two hundred pixel avatar. Three constraints pulling in three directions, and most of the design time went into the compromise between them.

Then the store, multilingual from the start, because a sports brand that speaks one language has already decided how big it intends to get.

Seven months of work through the second half of 2024.

One honest note: the domain has since gone offline on the client's side, so there is nothing to click here. I would rather say that than link you to a dead page.

Branding and web development.

Energy engineering is bought slowly, by committees, and the website has to survive that entire process without embarrassing anyone who forwarded it.

GM Engineering works in engineering and power. Their client is a partner or a procurement department, and what those people look for is evidence: completed objects, an exact list of services, certificates, and a named person to call.

So the structure puts proof first. Directions of work, then projects as the argument, then contact. The design is plain in the engineering sense: nothing decorative competing with a technical drawing, pages that load fast, and the same solidity on a phone as on a desktop.

Five weeks from start to launch, which is quick for a corporate site in this category. It was only possible because the client had their materials in order before we started, and that is worth saying out loud.

Design and development. gm-engineering.bg

We asked a shopping assistant where a real store ships to. It answered confidently, and it was wrong.

That is the problem this app exists for. AI assistants now answer questions about your shop whether you participate or not, and if your facts are not written somewhere they can read, the assistant invents something and the customer believes it.

Knowledge Base Agent is our own Shopify app, built with a partner. Once a week it reads the store, the catalogue, the settings and the questions customers actually ask, and writes verified answers into Shopify's own knowledge base so assistants quote the shop and stop guessing.

The most useful thing we learned is not technical. Coverage is not whether you have an answer, it is how many ways somebody can ask the question. Once we started publishing several phrasings of the same fact, the pilot store went from answering nine questions in ten to answering all of them, with nothing left unanswered.

Five hundred and seventy seven automated tests guard it today.

Our own product.

In property people decide emotionally and then verify rationally. A site that only does one of the two loses them somewhere in the middle.

Lokalizacja is a real estate project. The emotional half is photography and location: what the neighbourhood feels like, what you see out of the window. The rational half is everything a buyer checks afterwards, and it has to be one or two clicks away rather than buried in a PDF.

So the catalogue is short on words and heavy on visuals, with the key facts about each object placed where the eye already is. Around two hundred and seventy pages, and forms wired so an enquiry reaches an actual manager instead of a shared inbox nobody opens on Saturday.

Most viewing happens on a phone in the evening, so that is the layout we designed first. The desktop version followed it, not the other way round.

Five months. Webflow. lokalizacja.net

A Berlin venture studio co-founding AI-native companies, and the site has to convince two very different rooms at once: operators and capital.

MVP Founders builds businesses in food, sports, entertainment, well-being, pets and hospitality, categories that serve needs no algorithm is going to replace. Their thesis has a shape worth designing around. The bits, meaning the AI operating system underneath every venture. The atoms, meaning the padel court and the coffee shop that no model release can copy.

So the site reads as an argument, not a brochure: the thesis, how they build, the portfolio as evidence, the team as the reason to believe any of it, and jobs, because a studio grows by hiring operators.

Restrained typography and a lot of empty space, because in venture the loudest website is usually the least funded one in the room.

Design and development. mvpfounders.com

Three pages, and one of them has to convince a hotel group to spend six figures.

MoodBoard builds immersive multisensory spa rooms: 5D wellness technology combined with smart building control and AI. The buyers are luxury spa complexes, hotel chains, private clubs, resorts, premium residences, yachts and studios.

The difficulty is a mismatch. The product is an experience, the purchase is a finance decision, and renders alone have never moved a hotel group.

So the site does both jobs in order. Atmosphere carries the top of the page, and then it turns deliberately cold and useful: what the technology does, what changes for guests, and an ROI calculator where an operator enters their own occupancy and price and watches the payback appear. That calculator sells more than any paragraph we could have written above it.

Six months. Design and development. mood-board.eu

Selling one building is a different job from selling property in general. There is no catalogue to hide behind and no second option to offer.

Nowe Swojczyce is a residential development in Wroclaw. We made the brand and the site together, which matters more here than it sounds: the name, the palette and the tone are what turn an address into a place somebody wants to live.

The site is built around one feeling and then the evidence for it. What the district is actually like, what is within walking distance, the layouts, the finishing standard, and a viewing request that asks for three fields and stops.

Visualisations do the heavy lifting, because the building does not exist yet and the buyer is being asked to imagine a home instead of inspecting one. Everything else on the page exists to make that imagined home feel like a safe decision.

Identity, design and development. noweswojczyce.pl

The site worked. Underneath, every class was called something like div-block-104, and that is a bill which always comes due later.

OM Defence Systems makes counter-UAS technology: autonomous interceptors that detect, track and neutralise hostile drones, plus field support systems for infantry. It is built by engineers with defence experience in Ukraine and Europe and tested on the front line, so the surface had to match that seriousness.

Our part was the unglamorous half. Close to three hundred classes renamed into a consistent system, product renders corrected, modals that had been wired to the wrong pages fixed, and the full SEO package applied across eight pages with a CMS behind news and vacancies.

From the outside almost nothing changed, and that was the goal. In a category where a buyer may take a year to decide, the site has to still be fast and still be editable at the end of that year.

Webflow. omdsystems.com

A buyer in Rotterdam has your email and about thirty seconds. The site decides whether there is a second email.

SeedWay Oil produces and exports oil products. In export B2B the decision sits with a procurement department abroad that needs to establish three things quickly: the company is real, the volumes are real, and the paperwork exists.

So the site is written as an answer to exactly that, mostly in English. Products and specifications, production capacity, certificates and documents available to download, and photographs of the actual plant instead of a stock field at sunset.

It saves time in negotiation and, just as usefully, it filters out the enquiries that were never serious. For an exporter that second effect is worth as much as the first.

Design and development. seedwayoil.com.ua

Wholesale plumbing is not a glamorous category, and that is exactly why a good site is such an advantage inside it.

Sequoia2000 supplies sanitary ware to businesses of every size, and they do more than ship boxes. They give their clients marketing support, sales materials and branding for retail points, which makes them a partner and not just a supplier.

The task was a modern B2B site that stays light and obvious to use, shows the full range, and gives proper space to the manufacturers they represent, because in this trade the partner brands carry half the credibility.

We built the brandbook alongside it, so the identity, the catalogue and the sales materials finally speak one language instead of three.

Thirteen months from the first call, brandbook included.

Branding, design and development. sequoia2000.com

Perfume is bought on feeling and abandoned on friction. The distance between those two moments is where most beauty stores quietly lose their money.

The Beast Beauty is a niche perfume and cosmetics retailer. The site had to feel premium and stay fast, which sounds obvious and is where most of the work actually went: over six hundred pages of catalogue, product cards, cart and checkout, all tuned for a phone, because that is where this category is bought.

Beyond the shop itself we built it for marketing from the start. Promotions, curated collections and recommendation blocks are all editable, so a campaign can go live without booking a developer first.

Seven months, and it is still running with us.

Design, development and e-commerce. thebeastbeauty.com

One place where a buyer can see the developers and their buildings side by side, in a market where everybody publishes their own version of the truth.

Unia Deweloperow brings together information about properties and the companies building them, on the Polish market.

The hard part was volume. Many objects, many developers, and a user who gives you roughly ten seconds to prove the site deserves their attention. So the structure is flat and predictable, the filters carry the load, and every object card holds the same fields in the same order. That last detail sounds trivial and it is the only reason a comparison is possible at all.

Poland is a demanding market visually. A property site here competes with the standard set by the largest portals, and anything that looks improvised is dismissed before it is read.

Five months, plus a separate integration to keep the listings current.

Design and development. uniadeweloperow.pl