Восемнадцать проектов, упакованных заново

A driver in Germany with a dead engine control unit has exactly one question: can you fix mine? Every screen on Revonik exists to answer it.

Revonik remanufactures automotive electronics. Control units, immobilisers, instrument clusters. The difficulty was never the visual design. It is that a part belongs to one exact car, so the catalogue had to follow the path the customer already thinks in: brand, then model, then year of production, then the unit itself. That comes out at more than four thousand pages, in five languages, with a search that reads product names, descriptions and types, because plenty of people arrive typing "Motorsteuergerät" and nothing else.

Behind the page there is a second half of the project. Every form opens a deal and a contact in Bitrix24. The order confirmation produces a PDF the customer prints and puts in the parcel. Shipping is being wired into UPS, telephony into their phone system. We also ran the technical clean-up after an SEO audit: language versions opened to crawlers, redirect chains repaired, dead pages removed.

Eight months in and still running. When the server went down under a flood of automated requests in June, we were the ones bringing it back up. The next stage is a full online shop.

WordPress. revonik.de

Selling design to a company that manufactures design is the hardest room in the business. Their eye is trained. Yours has to be better.

POLYTECH prints. Apparel for branding, promotional merchandise, commercial printing, outdoor advertising. We started with the brand itself: the mark, the palette, the typography, and a system that survives being reproduced at every size on every surface, from a pen to a building wrap.

It did not stop there, which is the part I value most. Over a year later we are the design bench behind their store of more than five thousand pages: category artwork, banner sets, animated key visuals, and the visual grouping inside a menu that has to hold four unrelated product worlds without losing anyone.

A printing house could hire any studio in the country. They kept working with the same people.

Branding, identity, ongoing design. polytech.com.ua

The client opened the first call with three reference sites: Avellum, AEQUO and VB Partners. That is the top shelf of the Ukrainian legal market, and it set the standard before anybody drew anything.

Miller Law Firm needed the site of a firm in that weight class. Practice areas, the people behind them, media appearances, careers, and over a thousand pages of legal writing that has to stay findable and calm to read at length.

Two things shaped how the project ran. The firm's PR department reviewed every screen, so nothing shipped on taste alone, and their security policy moved the entire working group off Telegram and onto Signal on the first day. A client that careful about a chat is that careful about everything, and the design had to earn the same level of trust.

Nobody hires a law firm because of its website. But plenty of people quietly decide not to, and that decision is made in the first four seconds, on typography and restraint.

Design and development. millerlawfirm.ua

Nobody wakes up wanting to buy hydrangeas. They wake up remembering a birthday, an apology, or a funeral.

So the shop is built around the reason, not the plant. Occasions sit at the top of the catalogue: birthdays, weddings, engagements, a colleague, mum, sympathy. Roses, peonies and seasonal cuts are there underneath for people who already know what they came for.

Rozmarin is a working florist in Wroclaw with a real shop and real photography, and the site had to look as composed as the bouquets do. Three languages, because this city buys flowers in Polish, Ukrainian and English. A full cart with promotions and price filters. Transactional email configured properly, so a confirmation actually lands in the inbox instead of a spam folder.

Then we handed it over: training recorded, catalogue explained, and the shop has been adding its own products since.

WordPress and e-commerce. rozmarin.shop

Three hundred and thirty houses across fourteen estates, built since 2015. All of it had to fit into something a buyer can walk through in ten minutes.

Nowa Bud builds year-round timber frame homes around Warsaw and across Mazovia. The brief was refreshingly blunt: follow the brandbook, skip the decorative animation, and make a very large amount of information easy to move through.

So the site behaves like a well-run sales office. Estates, individual houses, available plots, the construction technology explained for people who have never heard of timber frame, a separate track for investors, and 3D plans of every settlement. Four languages, because buyers in this belt around Warsaw are not only Polish.

My favourite piece is invisible. The price history block reads straight from the client's own spreadsheet, so when the sales team edits a column, the website updates itself. Eleven months of work, and it has been theirs to run ever since.

Webflow. nowa-bud.pl

Six weeks from the first message to a live bilingual catalogue, with a client who checks your URL structure personally.

MetalVent manufactures industrial ventilation: axial fans, roof units, ducting. Products chosen off a specification sheet by people who will notice if a category is named wrong.

The most useful moment in the project was an argument. The client wanted more categories; we pushed back, because four product groups fit cleanly into one block and a buyer should not have to hunt through a menu to find what the company actually makes. He tested it against his own customers, agreed, and the simpler structure shipped.

Built in Polish and Ukrainian, with a catalogue the company edits itself. We recorded the training and handed over the keys. They have been running it alone since December 2024.

Webflow. metalvent.pl

Every AI company launched this year looks the same: a gradient, an abstract neural mesh, the identical shade of blue. The brief was to look like none of them.

SOKIL AI turns messy operations into working systems. Their founder has twenty years in IT behind him, and the brand had to read as adult, not as another launch. We built the identity first, in a logobook: a mark that still holds at avatar size, a restrained palette, typography that behaves inside a product interface instead of only on a title slide.

The site followed. Strategy, AI agents, custom development, roughly forty pages, cookie consent handled properly, and a CMS their own team took over before launch so they were never dependent on us for a text change.

There is a detail here that matters more than any of the above. A year later their founder started sending clients our way, and one of those became the RE.BRO project. Work done properly turns into a referral channel, and that is worth more than any campaign.

Identity and Webflow. sokil.ai

In Canadian construction the buyer is usually a committee, and your website has to survive being forwarded around it.

UCO Construction Group works on industrial and infrastructure builds. That audience reads capability before it reads photography: what you can do, at what scale, with what equipment, and who signed off on the last job that looked like theirs. The structure follows exactly that order, and the gallery earns its place at the end instead of opening the argument.

Where the time actually went was engineering. Every repeated modal on the site was rebuilt as a single reusable component, so the company changes one and changes all of them. It sounds like housekeeping. It is the difference between a site that ages well for years and one that quietly rots the first time somebody else touches it.

Thirteen months, plus a run of social content afterwards.

Webflow. ucogroup.ca

People do not pay a training school for information. They pay for the confidence to work on a real client's face the week after the course ends.

TK Cosmetology teaches aesthetic medicine in Wroclaw to two audiences who share nothing. Beginners with no background at all, and qualified cosmetologists and doctors arriving for injectables and advanced technique.

Separating those two paths was the whole design problem. A beginner worried about the price and a professional scanning for one specific protocol cannot land on the same page and both feel spoken to. So the site splits them within the first screen, then does the only thing a school genuinely can: puts the instructors and their credentials up front, and hands the rest to video reviews from graduates who are now working.

Registration goes straight to Telegram and WhatsApp, because that is where this audience actually replies. Around thirty pages, plus a library of recorded lectures.

Webflow. tkcosmetology.com

Their entire promise is bookkeeping explained in plain human language. So the site was not allowed to sound like a tax code.

Best Support is an accounting office in Poland: full bookkeeping, payroll, HR paperwork, and company registration for people who have recently arrived and do not yet know which form is which. Around two dozen pages, written and built in Polish, calm and direct, with no jargon used as decoration.

Then something happened that is nowhere in a web studio's job description. Their company email stopped receiving. Ten people could not work, invoices were bouncing, and clients were phoning to say their messages were being rejected. We took the registrar, the DNS records and the hosting panel, worked through it with their provider, and had mail flowing again the same day.

That was not design work. It is what hiring an agency is supposed to mean.

Webflow. bestsupport.pl

How do you sell a sensation that nobody in your market has felt yet?

Spartisan is a guided immersive spa. A ninety minute steam ritual for groups of up to six, with heat, cooling phases, light and sound choreographed into one continuous journey. It is closer to a performance than to a sauna, it works completely in person, and almost none of it survives being written as a bullet list.

So the site had to do the job that a friend's recommendation usually does. The first screen carries the atmosphere and asks for nothing. Only after that come the programmes, the ritual explained step by step, and the booking. English, Hungarian and Russian, because Budapest sells to three audiences at once.

We rebuilt the visual selection twice using the client's own photographs of the venue, and it was worth the delay. Stock imagery of a spa reads as a stock spa, and this concept dies the moment it looks generic.

Webflow. spartisan.eu

Same brand, opposite reader. This one is for the person deciding whether to put money into it.

The consumer site sells the experience. This one answers a colder set of questions: what a venue costs to open, what it returns, how long the payback runs, what the franchise package actually includes, and who is operating one already.

Investment material carries an awkward requirement. It has to look expensive enough to be credible and plain enough to be trusted, and those two pull in opposite directions. We kept the brand's atmosphere in the photography and made everything numerical as flat and readable as a term sheet.

Built alongside the consumer site and published in August 2026.

globalspartisan.com

Six themed rooms, seventy five thousand songs in twenty three languages, open until four in the morning. Budapest karaoke, sold to people who are already planning tonight.

BB Rooms rents private karaoke rooms in the middle of the city, for anything from a group of five to a party of fifty. Space, Iceberg, Gatsby, Reggae, Cabaret, Comics. Each room is its own world, and choosing between them is most of the decision, so each one gets a full page with capacity, sound setup, price and photography, plus a 3D tour for the people who want to walk it before they commit.

Around that sit the things that actually close a booking: event packages for birthdays and stag nights, catering and decoration extras, and a booking button never more than one screen away. Prices are stated openly, because a group of eight deciding on Thursday will not send an email to find out.

English and Hungarian, since half the guests are tourists who discovered the place an hour ago.

Webflow. bbrooms.hu

Roasting coffee in Budapest since 2013, and now the same room hosts a DJ at brunch. One website had to hold both without splitting in two.

Blue Bird is a specialty roastery that turned into a community. Beans roasted on site, roasting workshops where you stand at the drum and taste the result, brunch sessions with a DJ, and an open stage for anyone who wants the slot.

The structural problem is that there are three completely different things to book here: a table, a roasting session, and a DJ slot. Most hospitality sites would bury two of them. We gave each one its own visible path from the first screen, because the person coming to learn about coffee and the person coming to play a set are not the same visitor and should never have to read each other's page.

The atmosphere carries the design, the practical details stay one tap away, and the whole thing is built for a phone held in one hand while somebody decides where to spend their afternoon. English and Hungarian.

Webflow. bluebird-djcafe.com

This project arrived as a referral from a client we had finished six months earlier. That sentence is our entire growth model.

RE.BRO is a grill and bar in Wroclaw with a second face as a bistro, two moods under one roof, and the site had to let a visitor pick which one they came for within a few seconds. Two months from the first call to launch on the seventh of August.

Restaurant websites live or die on a phone at eight in the evening, so that is where this one was tuned. Menu, atmosphere and a table, all inside thumb reach. We caught one bug in testing that I keep thinking about: on an iPhone, Safari's address bar was sitting exactly on top of the link to the menu. Nobody would ever have reported that. They would simply have left and eaten somewhere else.

Google reviews with named authors, photography that opens instead of fading, and a recorded walkthrough so the team edits its own content now.

Webflow. rebro.com.pl

One page. Which is not the same thing as a small project.

ASKI Studio designs interiors and delivers the fit-out. Their proof is entirely photographic, so the layout has one job: get out of the way of the work, and stay out of it. Large images, generous space, almost no text competing with them.

The considered part is not visible on the page. Enquiries go to email and into a Telegram bot we built for them, so a lead lands on somebody's phone within seconds instead of in an inbox nobody opens on Saturday. The client also asked for WhatsApp, and we talked him out of it: their customer is Polish, WhatsApp Business charges per conversation, and it would have fought with the Telegram flow for no benefit. We set up the domain and hosting from scratch as well.

Launched in April 2026 with a training video, and the studio has run it alone ever since.

Webflow. askistudio.pl

Cakes are chosen with the eyes and then argued about with the family. A confectionery website has to win both moments.

WOW Tort makes cakes and desserts to order in Ukraine. The catalogue is the product, and the owner wanted to run it herself without calling anyone.

So it is built on a CMS she controls completely. Author cakes, world classics, gingerbread, pastries, each in its own category, each with a current price and a separate sale price for when a promotion runs. When she asked to change the order of categories, and then to add a new one, that was a message rather than a quote.

The order form asks only for what a baker genuinely needs: flavour, weight, date, contact. Everything else was cut, because every additional field in a form is a person who stops filling it in.

Ten months of work and support, and the catalogue has grown on its own since.

Webflow with CMS. wowtort.com

The product tests whether a business idea has any real demand before the founder burns a year building it. Which means the website gets judged by exactly that standard.

Hypotest works like this: you describe your idea to an AI, it generates the creatives, the copy and the landing pages, launches micro campaigns at real audiences across platforms, and comes back within a week with actual demand data instead of opinions from friends.

The hard part of a page like this is that it sells a habit nobody has yet. There is no search volume for it. So the structure explains before it persuades: four steps in plain order, then the four audiences who each recognise a different version of the same fear, then the reasons to believe.

Short, fast, and deliberately built to be pushed with paid traffic, which for a product like this is the only honest measure of whether the page works.

Webflow. hypotest.com